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Leisurely. Perhaps too much so.
a ripping good yarn!It is that long-forgotten child's note, received while in jail, that brings up Liv's childhood memories. HENDERSON'S SPEAR is a love letter from a woman who never thought of herself as a mother, to her now 20 year old daughter.
Ronald Wright tells of the history of the end of the Korean War & the French & American atomic bomb testing on the atolls of that vast ocean. He keenly describes the affects of the fallout, the use of pilots to photograph the explosions, & the islanders' memories of being guinea pigs; uncovering an era we would all rather forget - what hell we brought to paradise!...
This novel is like a treasure chest found on a desert island, in which you will uncover all sorts of histories; Herman Melville's meanderings before he wrote MOBY DICK; South Sea Island cultures - past & present; how Darwin's theory of evolution affected his contemporaries; how Queen Victoria's grandsons were groomed for public life; how one man's memories of a life in the service of his country affects another's two generations later & so much more!
Normally such yarns have a male protagonist & this one is refreshing & unusual as the Reader listens to what a woman has to say about the affairs of the heart & our ancestors. Ronald Wright has woven out of the threads of history, a compelling story of the ghosts people carry with them. HENDERSON'S SPEAR is a tapestry of depth & intrigue, affection & redemption.
An absorbing reading experienceIn 1988, while Liv lived in Vancouver and her sister in London, Lord Jim dies and a few days later, mother passes away too. The two sisters go through two centuries of family stuff when Liv finds an 1899 journal written by Frank Henderson telling his adventures with Queen Victoria's grandsons Princes Eddy and George. This leads Liv to come to Tahiti to learn about Jon's disappearance. Instead she's arrested on phony murder and spy charges. While lingering in her cell, Liv learns about her own daughter, a product of a seducer who promised her information on Jon and never delivered.
HENDERSON'S SPEAR is a complex historical tale that never loses its path while entertaining the audience. Though the narrator Liv tells the story late in the twentieth century, she relates her present predicament with the 1899 Henderson diary and the Korean War vanishing of her father without either account losing steam. The two subplots tie brilliantly back together as Ronald Wright proves he has the right stuff with a forceful twentieth century triumph that genre fans will appreciate.
Harriet Klausner


Not as good as the first book
Delightfull
"Superb!"

It is not what you think
A review of the review
Taboo subject tackled tastefully (sorry the pun)

The up to date Case
good service
clear, understandable jargon

fascinating read!
What a find!
great read!

Of no value to me
Indispensable DRIVING Guide to the Highway
The ideal guide for anyone traveling the Alaskan Highway

useful book with good places and ideas, but over-saturated.
Colorful, both literarally and literaturelyThis book was a constant companion on my trip to eastern Canada and a most helpful guide to locating well known locations, as well as off the beaten path "secrets."
I was not a photographer when I first read this book, nor was I after the second read-through. By the third read I was wanting to be: If the authors have this much fun pursuing their craft, then I want to be a part of it. Thankfully they included a very methodical techniques chapter for our benefit.
This book does not disappoint.
A refreshing visual journey across CanadaThe authors take us on a visual journey across Canada, from coast to coast to coast. The trip is one of visual stimulation, along with useful information on how to get there and when is the best time of year to visit. Non-photographers will also benefit from the detailed travel instructions.
Benson and Wilson are masters at extracting colour from a scene. Their overt use of filters stimulates the senses with each image pulling the viewer into the scene. Yet they succeed where so many others have failed: they use filters in a complimentary manner, not in a 'look at me I'm filtered because the photographer didn't know how to handle the light' variety. Fortunately for us, the authors put in a very useful chapter on photographic technique.
This book is visually exciting, a fun read and an excellant addition to my library. Even if you are not planning a trip north of the 49th parallel this book is worth the price simply because it is the best of its kind: it communicates. Kudos to the authors.


YES, HE IS A VERY GOOD COOK. NO, THIS IS NOT A GREAT BOOK.
For special occassions and inspirationI took away one star for the poorly organized index (why beef shortribs is under M for meat and not B for Beef is beyond me) and the occassional typo within the recipes themselves.
AMAZING!

fairy tales, not SFI am unfamiliar with the rest of this Author's work, so I can't tell you whether it is like her novels or not, but when I judge this work by itself I find it wanting.
This is a rather long collection of rather short stories. Most of these have not been published elsewhere. The norm for the SF field is for single author anthologies to be composed mostly if not completely of previously published work. Take this as a warning that you may not be getting what you expected.
The stories seem to follow a very common and uninteresting fairy tale format. Fairy tales can be made interesting-- for instance Italo Calvino's Italian Folk Tales. These were not.
As a point of reference, I favor "literate" SF. Some of my favorite authors are Kim Stanley Robinson, Gene Wolfe, Ursula LeGuin, Bruce Sterling, Thomas Disch, early Larry Niven...
Wonderful FantasiesBy
Judith Woolcock Colombo
Hot and spicy with the rhythm of the Caribbean, Skin Folk is a collection of 15 short stories by Jamaican born Canadian author Nalo Hopkinson. These tales are bonded together by a common theme, change or shedding of skin. All is illusion; nothing is, as it first seems within the pages of this book.
Beginning with the first story Riding The Red, we see the illusion being stripped away by this bizarre twist on the tale of Little Red Riding Hood. Here the elderly Red Riding Hood cautions her daughter to watch her granddaughter who has now begun "to ride the red." This is the time when wolfie comes around to capture and seduce. The grandmother admits "the red hood was mine, to catch his eye," but wolfie also had his dance "all hot breath and leaping flank, piercing eyes to see and strong hands to hold." Encountering wolfie is a natural consequence of riding the red or puberty. It is part of coming of age.
In Money Tree, Silky must reluctantly embrace the heritage of her Mamadjo or mermaid mother in order to save her greedy brother Morgan when he seeks to wrest pirate treasure away from River Mumma. In Something To Hitch Meat To, Artho is given the gift of seeing people and things as they really are by a strange spider-like little girl, and in Under Glass, a young girl living in a post apocalyptic world dooms another world with her careless play.
This concept of illusion and magical change continues throughout the book in stories such as Tan-Tan and Dry Bone where a soft hearted girl has pity on death disguised as a starving old man and takes him home only to learn if you pick him up you pick up trouble..
Although some stories were too similar, others were truly extraordinary. Skin Folk is a wonderful read, and I highly recommend it. ...
Splendid Fantasy and SF Tales Graced By Caribbean Rhythms

The most popular itineraries, the most practical advice
Covers the high spots
Liv Wyvern has a problem (well, aside from that of having been beaten up every day after school for having a name like Liv Wyvern). She's in jail in Tahiti on suspicion of murder, having gone down to track down her father, who's been MIA since the Korean War. She's recently been tracked down by her twenty-two-year-old daughter, whom she gave up for adoption shortly after her birth, and is now attempting to write a letter to that daughter explaining the life that is Liv and, in no small part, her extended family. Coincidentally, a few years back, she also found in the basement of her ancestral home a number of notebooks penned by a man with some connection to the family (no one really knows what)--Frank Henderson, who journeyed the Pacific himself with Princes George and Eddy back in the 1880s. There has always been a good bit of scandal attached to Eddy (aside from that supposed Ripper business), and a lot of it centered on a possible side trip Eddy and George made to certain Pacific islands...
It all does sound intriguing, doesn't it? And to some extent it is. Once the book gets off the ground, the two mysteries therein take on lives of their own. However, it's the getting off the ground part that requires a bit of doing. The book's pace never gets above slow, so saying that the pace increases tremendously two hundred or so pages in should tell you all you need to know about the first two hundred pages of this.
The most intriguing piece of the puzzle is left for the very last page (and never answered, probably because Wright doesn't know the answer himself): Wright gives us a one-page afterword telling us that he is, in fact, related to Frank Henderson, and while large stretches of Henderson's journals are works of utter fabrication, some aspects therein are true. This should have been a foreword. Two hundred pages of glacially-paced writing are far better served when one is busy trying to figure out how much of the stuff about Henderson being captured by the Sofas in the 1870s and then running off to the South Pacific with two grandsons of Queen Vic is true. (More, Wright intimates, than the Tahiti expedition. But, as Dick Francis recently reminded us in Wild Horses, sometimes the maker of fiction basing his materials on real life stumbles upon the truth of it quite by accident.) Oh, one other thing that would have been helped by having that as a foreword: realizing that the Sofas are an actual existing African tribe would have stopped me fifty pages of snickering about naming a tribe of African warriors after living room furniture. But I digress.
At a guess, the book's enjoyability hinges upon both one's tolerance for leisurely-paced writing and one's ability to find a character to identify with relatively early on. Thus, this is going to find a limited market in a world where Tom Clancy and Danielle Steel outsell the Bible year after year. Still, for all that, it's not a bad little book. ** ½